Sarah Gent, Marketing Manager explains why The Witham team are celebrating...
We are delighted with this front page splash in the Darlington and Stockton Times today (read the article here) and the one in the Teesdale Mercury this week too (link to come shortly!
The Witham team are working hard not only to deliver excellent events and happenings, continue to improve our lovely cafe, entice people into the shop and the gallery but also work to raise awareness and ultimately funds for this small arts centre on Barnard Castle high street. This will enable us to do more and more with our local community and with the many visitors who come to events and explore our wonderful area.
As a registered charity, we have exciting plans to fundraise to support our work, building on the strong reputation we have established over the last four years. We've delivered so much of excellent quality, engaged with lots of exciting partners and increased footfall and ticket sales significantly since the refurb was complete in 2013.
And we plan to continue this growth with your help and a strong strategic approach led by the board of trustees and staff team.
So watch this space for future activities and thank you all for your ongoing support!
The crowd really took Adrian to their hearts, when midway through his second set he called Andy and Moray on stage to perform a song he’d written called ‘Hold Your Light High’.
The show featured at the Witham on Saturday 16th September was headlined by Adrian Nation with special guests, Andy Yeadon and Moray Nellis. The show was the first promotion, (I hope of many) at the venue by Chilli Enterprises. The Witham is an ideal venue for the fare served up on the night. It’s cosy, intimate and friendly. As you’d expect from a recently refurbished building, the facilities are very good. I particularly liked being able to sit in the warm cafe area, enjoying a coffee, waiting for the doors to open, rather than being made to queue in the cold outside.
The show was compered by Mr Chilli Enterprises himself - Dave Palmer, who welcomed everyone and brought to the stage the special guests, the aforementioned Andy Yeadon and Moray Nellis. Most people reading this will know of Andy and his music, as in respect of the local music scene, he’s a bit of a Barney legend in his own lifetime. Performing with Andy was Moray Nellis, the daughter of Jimmy Nellis, a music legend of yesteryear in the Sunderland area. So, excellent credentials, but would it work?! It certainly did! I was fortunate to have a look at the set list before the show started and was pleased to see it crammed with great, self-penned songs of Andy’s that I’m familiar with. Songs such as ‘Love takes you everywhere’, ‘Right all along’, Standing here’ etc.
The only slight reservation I had, was would the songs survive the transition from being played in a standard electric rock group format, to that of a single guitar accompaniment? I needn’t have worried. The songs were delivered in such a way that nothing was lost. Having only heard Andy playing electric guitar, his acoustic guitar playing was a revelation to me. I would have liked to have heard more of Moray taking a lead vocal or two, but that’s a minor carp.
Next on, came top of the bill, Adrian Nation. Other than knowing of his reputation as being an excellent singer / songwriter and having immense prowess as a guitar player, Adrian and his music was fairly new to me. However, as soon as he started playing the intro of his first song, ‘The Coming of The Day’, I knew we were in for something special. He sounded like a one man band – there was bass, percussion and amazing finger- picking guitar, topped off by a good, strong singing voice, all in the mix. Armed with an array of five different guitars and exhibiting a mastery of effects, he captivated the appreciative crowd. As if that wasn’t enough, he proved to be an interesting raconteur. During the announcement of what he was going to sing next, he made a point of getting across to the audience, how his songs had came into being and which characters and places had inspired him to write that particular song, Some of the songs were about members of his family and friends, others such as ‘Dying of Democracy’ (from his forthcoming album Anarchy and Love) were more focused upon political issues. A lot of his songs, whether personal or political were powerful statements - some wistful, some strong and energetic. I would think that just as with good poetry, to fully realise the full impact of the message / story of Adrian’s songs, more than one ‘play’ is necessary. I’m sure that those people in the audience who took home with them a CD of Adrian’s work, will, in the days ahead, appreciate his work even more.
The crowd really took him to their hearts, when midway through his second spot he called Andy and Moray to join him on stage to perform a song he’d written called ‘Hold Your Light High’.
Adrian concluded a great show with a moving rendition of a song of his called ‘Set Fire to the Sky’. On his set list, he had as his final number, a cover of a well known Richard Thompson song, a favourite of mine, ‘Vincent Black Lightning’. I take it that he didn’t deliver this one due to time constraints. No matter, he’d put on an excellent performance, that I for one, will hope to see repeated at the Witham in the not too distant future (and then maybe I’ll get to hear his version of ‘Vincent Black Lightning’!)
The management of the Witham and Chilli Enterprises should be congratulated, for putting on the show and I would hope that this show is only the first of many such joint promotions.
Fun in the Oven Theatre Company presented Canary at The Witham on Wednesday 13 September 2017. Our reviewer Evie Brenkley (aged 14) reviews...
With bright yellow faces and dark blue overalls, the highly talented actresses of ‘Canary’ certainly caught one’s eye, and the play was equally striking. Darkly comedic and fabulous, the play was based on the ‘Canary Girls’ - brave women called upon during WW1 in a desperate time of need. When desperate for soldiers, Britain had raided all of its factories for men - and had no-one doing important jobs such as making the weaponry and explosives needed to fight. Once domestic slaves, the girls were now the key to pulling through and winning the war, making munitions and for the front line. Although it gave them illnesses, including yellow skin due to the toxic poisoning, many women enjoyed their new job as it gave them independence and a chance to live their life as their own. The play really gave us an in-depth detail of their lives and the entire thing was really fascinating. If you ever get the chance to go and see it - do, it is very enlightening and well worth watching.
The first part of the play is a sort of advert for the Canary Girls, with a narrator giving the girls life as they go about their daily tasks. This all changes, however, when an air raid strikes and the girls are left alone - just the three of them. When the actresses really discover themselves, we watch some heart-wrenching material whilst connecting to them on an emotional level. The entire play is very well choreographed and put together, constantly hilarious. The script was well written too and really emphasised showing us the women’s lives and also how they were being treated. The majority of it was still applicable to today’s society, making the play really thought-provoking at so many stages.
When the end of the air raid, and then the war was announced, everybody was given a short break, before the audience was allowed back into the theatre for a Q&A session with the actresses and their director. This was very interesting and allowed us all to gain a deeper understanding of the play. They all told us that they had such good fun producing the play, and improvising in rehearsals to discover their characters. They are still working on the final play, to make the whole thing really exciting so that “no one ever leaves the room.”
The audience loved it too, and it struck the teenagers there in particular. One of them told me they “thought the subject matter was very interesting and the physical way it was portrayed was excellent”. Another said, “the lighting flowed very clearly, and it came together well with the sound and the acting”. Certainly, the overriding consensus from all was that the play was incredibly enjoyable.
‘Canary’ has an excellent mix of fact and fiction, funny and heartbreaking; and the contrast between happy and sad is excellently portrayed. It is very well put together, with wonderful character development and the plot line is almost faultless, with every concept flowing together nicely. Considering this is still a work in progress, I can’t wait to see it develop and flourish in the future.
Promoters’ Training Day
It’s approaching that time of year again, when The Witham will be welcoming the much anticipated Highlights Contemporary Craft Tour for 2017. Entitled “Luminosity”, this year’s exhibition is based around the theme of light and how the seven artists involved manipulate light as a crucial element or medium in their work.
In preparation for the exhibition The Witham staff members, Sarah and Halle, and volunteer, Marilyn, attended a Promoters Training Day to learn more.
After a pleasantly scenic journey across the tops to Shap, The Withamites joined a mixed group of staff and volunteers from other organisations, to be welcomed by Highlights Craft Tour officer Karen Babayan. One of the artists featuring in the tour, glass engraver Heather Gillespie, was also present and had brought along an exquisite vase, Zostera. An indication of the quality of Heather’s work is that it is sold in shops such as Harrods and Liberty. Karen has the unenviable job of transporting Heather’s precious vase from place to place and we were very careful to view it from a respectful - and safe - distance. After all this was a vase with a name!
Karen began by giving an overview of the exhibition and the artists and craftspeople involved. These include five exhibitors who are based in the North of England and two International artists, Statira Jazayeri from Sweden and Evagelia Hagikalfa from Greece. The ‘homegrown’ artists are Heather, Stuart Langley, Jason Taylor, Jan Hopkins and Sandra Balmer. Their work is very diverse and includes sculptural textiles, film and projection, glass, electronics and neon installations. The examples Karen showed on screen indicated that this will be a very special event of a kind we don’t often see in Teesdale and certainly whetted the appetite of all present.
It was interesting too, to hear the stories behind some of the works. There is the artist inspired by DH Lawrence’s Women in Love, and another who references genetics in her work, almost as an homage to her father and his interest in rabbit breeding. As Heather was present, she was able to describe the influences behind her own work which are largely marine based, such as the lovely seagrass-inspired engraving on her vase. Zostera, by the way, is a Japanese seagrass.
Heather went on to talk about her path as an artist and her year in the Czech Republic learning the ancient art of copper wheel glass engraving. Although this was no longer taught in the UK, thanks to Heather there are now a number of people practising this demanding craft.
Then came the hands on part of the day, as everyone was given the chance to try glass sandblasting. Following Heather’s instructions we tried to channel our inner artist by cutting a design on sticky plastic wrapped around a small glass. This was then sandblasted in Heather’s portable machine and judging by the smiles everyone enjoyed the activity and the results.
Following a delicious lunch - with many thanks to those responsible – the nitty-gritty of hosting the exhibition was mapped out, with considerations from risk-assessment, to selling work, the associated education programme and workshops being discussed. Thoroughly briefed and looking forward to seeing the exhibition in the flesh, the day ended as we left an anxious-looking Karen carefully re-packing Zostera in reams of bubble wrap and polystyrene.
At some point during the day, everyone had the opportunity to cross the road to The Old Courthouse, Shap’s own community arts building. An unloved building due to be demolished to make way for housing, it was saved by community action and brought back into use as a multi-purpose space. After a lot of hard work it now houses a library with computers, a gallery area and meeting spaces and is a facility the community can be proud of.
As Karen explained in her introduction, Highlights rural touring scheme aims to promote professional events in rural places, so that people living outside the main centres have access to high-quality arts experiences. And why shouldn’t we? Running from the 14th of October until the 4th of November, “Luminosity” certainly promises to be an outstanding exhibition and we in Teesdale are very fortunate to have the opportunity to enjoy it. Spread the word and we’ll see you there...
Thank you to volunteer Marilyn Normanton for this blog post about the day!
A good friend of mine messaged me and said, the Peatbog Faeries are playing in your neck of the woods at some place called The Witham, want to come with me?
Being from the neighbouring area, it seems like I’ve known about the Witham for a long time. It’s a bit like KitKats, I don’t recall a time that I ever didn’t know about KitKats. They’ve just always been there. Of course, I actually only moved here two and half years ago so there was obviously a time BW. What I’m trying to say is The Witham is one of those venues that just fits so beautifully into life. You want to entertain the kids in the half term? The Witham’ll be doing something. You fancy a bit of theatre? I bet you the Witham will have something on. Or how about a bit of classical music, folk, comedy? Yep, they have it.
The Peatbog Faeries are one of those groups that I’ve always been meaning to go and see, but just hadn’t got round to. So this seemed ideal. And it was. The tickets arrived and we opened them together (because, even though they’d come to my house the letter was in Annie’s name and it’s really not the done thing to open other people’s post, even when I know it’s actually for me. What if it hadn’t been? Oh, the ethical terror.) and it said, rather enigmatically standing ticket. What does that mean? The Witham always has seats, fold-away seats! Being a Peatbog Faerie novice I had no idea that it was impossible to actually sit through a concert.
In we went to the main hall of the Witham. A place I know well. Here I’ve seen comedy shows, Shakespeare, Alan Bennet, folk music, and the children have been entertained by a magical cleaner. This time it was bare, seatless like a real concert! Ticket holders clung to the edges, unsure of this new, expansive emptiness, yet we saw familiar faces right at the front and so we joined them. And I’m so very glad we did. The concert (for anyone like me, who knew nothing of these boggy Faeries) was folksy, rocky, trancey, dancey. From the first bar to the very last I simply could not stay still. I danced and got sweaty, allowing myself to be carried far away into the land where faeries really do come from peatbogs, and that far from being dead, dour places, peatbogs are filled with cavorting magical creatures that occasionally take human form and come into respectable venues to ensnare hapless wristband wearing humans.
As we left I saw smiling faces all around, I saw that the Witham had played host once again to a very special moment in our rural lives. It is a portal, is this place. It can invite and hold and ensnare and bear witness to quite magical things. It is a place to be glad of and a place to trust with one’s soul, if even for a short snippet of time, as you leave sensibility at the foyer bar and enter into the Room, never to leave the same.
The Witham's Autumn programme 2017 is introduced by the wonderful Northern Poet Ian McMillan (thank you so much!) with the following words:
I was lucky enough to perform at The Witham in April of this year with my musician mate Luke Carver Goss; we had a fantastic evening and it stuck me at the time, and it continues to strike me, that The Witham is a perfect example of what an arts centre in a small town can be and what it can strive to become. After all, it’s The Witham, not The Withoutham.
I think that arts centres are fun palaces and places of philosophical enquiry; they’re laughter-rooms and labs of new thinking. They’re places where you can grin from ear to ear and they’re spaces where you can stand for a moment and say ‘Do you know, I never thought of that!’ They’re safe and inviting rooms where coffee and cake can be eaten and drunk and they’re performance areas and galleries that can enhance your day or your evening. They remind us the arts are not just the cherry on the cake: they are the cake itself.
And The Witham is all these things. We’re living in uncertain times when, more than ever, we’re asking ourselves, as a country and as a North, who we are, and arts centres can be part of that enquiry. A place like The Witham can present a town and a region back to itself so that the people of Barnard Castle and beyond become part of the story.
Long may The Witham continue to thrive; visit it regularly, cherish it, challenge it, enjoy it.
And then have some more lovely cake.
I must stop talking about cake.
Ian McMillan @IMcMillan